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77773, contained music 8:18 minutes long. The author assessed the opening five
minutes. The texture remained stable as a piano played rising triads, and a
violin played a gentle unembellied line of rising and falling scales (texture;
lody-line; lody-timbre; lody-pitch). There were monts when the lody and its
panint were aented to add expression to the position (lody-aents), but otherwise
the tempo remained slow (tempo) and any changes in volu were gradual (volu).
Overall, there was a feeling of serene tranquility as a minimal musical style
was bined with lodic repetition (lody-line) and harmony that followed a regular
pathway of modulation (harmony). The blind evaluation identified nine
predictable ftors using the PFSM and categorised Arvo Part's "Spiegel im
Spiegel" as sedative.Sample 2--Bjork's "Violently Happy" (142tp7cdl): A CD,
randomly numbered 24689, contained music 5:45 minutes long. The author assessed
the opening five minutes. The dance beat driven music was energised by aents. It
conford to a versechorus structure (form)
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(lody-line), a tronomic tronomic also tronomicaladj.1. Of or relating to a
trono.2. Mechanically or unvaryingly regular in rhythm: a tronomic rendition of
the piece. beat (tempo) and repetitive harmonic sequences (harmony). Apart from
these predictable ftors, there were clattering electronic effects that
constantly disturbed the dance beat texture, introduced sudden changes in pitch
and broke up an already har and disjointed vocal line. The blind evaluation
identified only four predictable ftors using the PFSM and categorised Bjork's
"Violently Happy" as stimulative.ResultsThe participants submitted a diverse
selection of music (see Appendix for full list). These are categorised and
presented (see Table 3) by genre (column 1), and with the participant's own
categorisation of the music as either sedative (column 2) or stimulative (column
3). The outes of the blind PFSM evaluations are in parentheses. The PFSM allowed
the rater to aurately assessed 100% of the sedative music and 84% of the
stimulative music.A 2 x 2 contingency table (Table 4) ows how suessfully the
PFSM was used to identify sedative and stimulative choices (rows 2 and 3
respectively) and the number of pieces of music it categorised as sedative and
stimulative (columns 2 and 3 respectively).The author used Yates's Continuity
Correction to analyse this data because o cells were smaller than 5. The
statistical significance of this small data set was not overestimated and
results were more conservative. The effect of Yates' correction yielded a highly
significant value ([X.sup.2] Yates = 32.84, df = 1, p < 0.001).DiscussionThis
study evaluated whether or not the PFSM could be used to identify the
participant's sedative and stimulative choices. Blind PFSM evaluations were used
to identify all the sedative selections
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it was used to correctly evaluate all from the classical genre. The Yates's
Continuity Correction indicated that the PFSM distinguied beeen sedative and
stimulative music and confird the tool's intrinsic validity.The participants
chose a diverse selection of classical music and the suessful categorisation of
music from several stages of its developnt and scored for different
instruntation demonstrated the value of devising a tool that assessed individual
musical ftors. For example, Sinding's Rustle rustlev. rustled, rustling,
rustlesv.intr.1