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and was charterised by a repetitive lodic line  发帖心情 Post By:2014-11-20 12:06:38

 
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There were monts when the lody and its panint were aented to add expression to the position (lody-aents), but otherwise the tempo remained slow (tempo) and any changes in volu were gradual (volu). Overall, there was a feeling of serene tranquility as a minimal musical style was bined with lodic repetition (lody-line) and harmony that followed a regular pathway of modulation (harmony). The blind evaluation identified nine predictable ftors using the PFSM and categorised Arvo Part's "Spiegel im Spiegel" as sedative.Sample 2--Bjork's "Violently Happy" (142tp7cdl): A CD, randomly numbered 24689, contained music 5:45 minutes long. The author assessed the opening five minutes. The dance beat driven music was energised by aents. It conford to a versechorus structure (form) Colt McCoy Jersey , and was charterised by a repetitive lodic line (lody-line), a tronomic tronomic also tronomicaladj.1. Of or relating to a trono.2. Mechanically or unvaryingly regular in rhythm: a tronomic rendition of the piece. beat (tempo) and repetitive harmonic sequences (harmony). Apart from these predictable ftors, there were clattering electronic effects that constantly disturbed the dance beat texture, introduced sudden changes in pitch and broke up an already har and disjointed vocal line. The blind evaluation identified only four predictable ftors using the PFSM and categorised Bjork's "Violently Happy" as stimulative.ResultsThe participants submitted a diverse selection of music (see Appendix for full list). These are categorised and presented (see Table 3) by genre (column 1), and with the participant's own categorisation of the music as either sedative (column 2) or stimulative (column 3). The outes of the blind PFSM evaluations are in parentheses. The PFSM allowed the rater to aurately assessed 100% of the sedative music and 84% of the stimulative music.A 2 x 2 contingency table (Table 4) ows how suessfully the PFSM was used to identify sedative and stimulative choices (rows 2 and 3 respectively) and the number of pieces of music it categorised as sedative and stimulative (columns 2 and 3 respectively).The author used Yates's Continuity Correction to analyse this data because o cells were smaller than 5. The statistical significance of this small data set was not overestimated and results were more conservative. The effect of Yates' correction yielded a highly significant value ([X.sup.2] Yates = 32.84, df = 1, p < 0.001).DiscussionThis study evaluated whether or not the PFSM could be used to identify the participant's sedative and stimulative choices. Blind PFSM evaluations were used to identify all the sedative selections Clinton Portis Jersey , and although less suessful with stimulative choices it was used to correctly evaluate all from the classical genre. The Yates's Continuity Correction indicated that the PFSM distinguied beeen sedative and stimulative music and confird the tool's intrinsic validity.The participants chose a diverse selection of classical music and the suessful categorisation of music from several stages of its developnt and scored for different instruntation demonstrated the value of devising a tool that assessed individual musical ftors. For example, Sinding's Rustle rustlev. rustled, rustling, rustlesv.intr.1

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